As part of CTM: Festival for Adventurous Music and Art. Music Makers Hacklab brought together 20 international sound artists, inventors, technologists, artists and musicians for one week to create new musical performances, instruments and concepts to be performed live at the end of the festival; ‘Emotional Invention’ at Hau2, Kreuzberg. The programme was led by Peter Kirn of Create Digital Music and hosted by Native Instruments.
The week was a mixture of fascinating talks on software building (Reaktor blocks), physical instrument design, graphical notation. For Noise Orchestra it was the first time we had tested the Noise Machines as collaborative instruments and within a live performance context. Vicky worked with two artists, Mateusz Radz (Poland) and Pyotr Modesti (US) to create a new composition reflecting the theme of the festival Fear, Anger, Love. I was interested in the concept of the human and the machine and keen to explore and collaborate with ways of getting human emotion into a machine and performing from within the circuitry.
My collaborators worked with turntables, live instruments, music production software and our final piece took raw tones known to induce certain emotional states such as 528Hz (love frequency). We created a series of sonic movements to take the audience on an emotional journey and worked with samples and found sounds and live improvisation in the final performance. It was a good test to work with electronics and other timbres/instruments/musicians in live performance to investigate mixing, eq and playability. Here’s a video about the project featuring Vicky and the machines.
Waves Around Edges is a live response to the Delia Derbyshire archive housed at John Rylands Library. The piece was commissioned by Manchester After Hours as part of the live event ‘Breaking the Sound Barrier’. To develop the piece, I began research within the archive, I was interested in Delia’s ‘juvenile papers’ looking over the physics and geometry books featuring her first explorations into sound. It’s fantastic being able to see drawings of Delia’s sine waves and mathematical equations which had such a profound influence on her process for sound creation. Also in the archive are BBC Radiophonic letters and correspondence and to me most fascinating are the working notes of iconic pieces such as the ‘Inventions for Radio’ . The archive houses an extensive list of tapes which have been digitised. For the piece I wanted to reflect on Delia’s working methods, her technical processes and think about some of the sounds and objects she would have encountered in the Radiophonic workshop that informed her work. For this I want to explore the medium of tape itself, thinking about this as a material and dynamic sound source.
I visited Eve Studios in Stockport which has a wealth of ex-BBC Radiophonic workshop equipment and tape machines. Martin and Tom kindly let me contact mic record these working objects. I loved hearing the inner workings of the machines, the clicks and clunks of the buttons, the whirrs and spinning of the tape as it finishes the spool, all had a unique character.
These samples formed a both a sequenced section of the performance and inspired the Tape Machine Sculpture I created for the show. The sculpture was a sonified object made of found materials, with heavy steel sections salvaged from a Salford building site. I selected the top piece due its look of a sine wave, the bow i used to play the sculpture had magnetic tape running along the length and I embedded a cassette head within the object for some rewind/fast forward action.
Other composed sounds within the set looked at sound as material including electromagnetic recordings , I wanted to get a sense of electricity, disorientating FM synthesis and also authoritarian educational BBC voices discussing the nature of sound, electricity and magnetic tape to reflect the male dominated world in which Delia worked at that time.
Here is a very short edit (live piece is 20 mins).
Thankyou Delia x
Audacity databending experiments using echo effects to manipulate and intentionally glitch masterpieces such as this example Ancient of Days by William Blake.
I created a soundwave Alphabet by recording my own voice speaking each letter of the alphabet and then recreating the wave fragments to form 3D individual soundwave sculptures . The pictures below are of the letter Z. I then started to think about the sound of the sculpture so I used Audiopaint to convert the visuals back into sound to realise the new sonic shape and complete the circle.